This is how my artworks evolve
In this blog post, I explain how one of my artworks is created: from the first thought to the last brushstroke.
The theoretical part of my work
I used to work a lot with black. It was my first base color that I would use for every painting. But the more I faced my shadow and the more I discovered the light inside me, the brighter I could paint.
The first “white” artwork I painted was born out of sheer joy and childish curiosity. I just wanted to test how bright I can paint. From this, the vision of a series of white paintings crystallized.
I didn't get all the information at once. But over a longer period of time, images, details and information came together and suddenly resulted in a huge overall picture that I could no longer ignore. I decided to specialize radically and bring this series to fruition.
At first I thought the series would be called 'Lightness' because this series is about absolute lightness. But the title 'Clarity' kept popping up to me. And at some point the information followed: we have to find clarity within ourselves. This then leads us to lightness and peace.
Once again, it's about taking one step at a time (one of my biggest learning tasks, which I encounter again and again). I'd always like to take the next 10 steps at once and preferably know the final goal before I even start moving.
I keep coming back to the same lesson: slow down, check where you want to go, and trust. Take one step at a time and trust it to lead you into the light. Even if you can't see the destination yet. That's exactly what 'Clarity' embodies. It's about being carried by life. To connect with the lightness of pure being. To see the light that is the essence of everything. To realize that nothing ever happens against us. It always offers us opportunities for growth.
My work is so deeply connected to my inner processes. It influences them and vice versa my inner growth influences my work. It's beautiful to see and once again something I'm eternally grateful for.
The practical part of my work
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For years I had the dream of painting these abstract, heavily structured paintings. Long before I even started painting again. Even while I was doing a completely different job.
I think the original inspiration for this came from visiting an exhibition with the elementary school. There I saw a painting by an impressionist artist. It was a landscape portrait made entirely of thick blobs of paint. Until then I only knew painted artworks. I was endlessly impressed by these striking structures and maintained this impression over the years.
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I was never taught how to use my technique. I knew what look I wanted to create and implemented it. At first the artworks looked nice, but they weren't stable. Two consecutive moves should reveal this. Many of the paintings broke.
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For a moment I thought I would have to give up on this technique. But I couldn't accept that. So I found a solution to make the paintings transport- and fall-proof. Quality is extremely important to me. I have very high standards for my work. Accordingly, I took this problem very seriously. So serious that the paintings are now so stable that even a fall of the canvas on a sharp corner does not damage the painting (true story from my studio, which almost gave me a heart attack, but then made me very proud).
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When it comes to materials, I now have a smorgasbord of products that have simply proven themselves for my work. In addition, some properties are important to me for ethical or sustainable reasons. For example, I prefer canvases that are produced in Germany. The acrylic paints must be highly pigmented and have good coverage. The right primer is extremely important for the foundation. Having the right top coat with UV protection is also essential as I want my work to be able to be passed down from generation to generation. I mix the structure paste myself to ensure the best properties and maximum stability.
What am I focusing on and why?
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My focus is on quality. Everything else happens intuitively. While painting, I'm fully guided. I stop my thinking, focus on the higher connection and let the energies flow. My intention is sufficient to do so. I am an executive channel bringing the high energies into this world.
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It's hard to describe the feeling I get. It is so wonderful. I am complete being, fully connected with the here and now. One with the divine, one with the light. Filled with high energies. It releases blockages in me and charges me. Most of the time I don't need a break or food because I'm so charged and in flux.
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Working in a higher consciousness is always easier. Because it saves you the detours. In the past, my mind often got involved, with the result that I sometimes had to completely paint over works. Over time I've learned to put my mind aside and just do.
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So why is my focus on quality? I have already mentioned that I would like my work to be passed on from generation to generation. On the one hand I am thinking of the increase in value of art.
On the other hand, I am convinced that art has the power to positively influence more people than almost any other material good. It is food for the soul. It exudes high frequency energies and glows in a huge radius. Thus it is not only a bringer of light for the owner, but for the entire area. That's what makes art a significant supporter of the new era.
My workplace
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You won't find the cliché of a chaotic, paint-splattered studio with me. In fact, I'm very careful to ensure that my studio never gets too messy or dirty.
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I use the same wall to paint as well as to take photos. So I try to be careful with it. Other than that, I rent this space and I respect other people's property.
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I feel comfortable in naturally structured spaces. That means everything has its place without having to be sorted with fanatical care. Since I also use my studio for the photos, I have some comfortable furniture and decorative objects there that make the room more cozy.
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If you would like to visit me, you are welcome to make an appointment with me. I look forward to meeting you in person!
My
artistic routine
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I work in phases and cycles. There are creative phases, photo phases and administrative phases. These are each divided into cycles.
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The creative phase begins with the primer. In my case, this is very time-consuming and actually takes the longest. The primer consists of approx. 7 layers. It consists of structure paste, binder and white paint, which each must dry thoroughly. That's why I always work on several works simultaneously.
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The priming is followed by the actual painting of the artwork: with color selection and expanding composition (the first important part of the composition is the structure).
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It seems to me that the artworks are growing naturally like any other being. The soul is already present in the first layers, even if in the end it may look different than at the beginning.
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After the painting cycle is completed, I check the effect of the painting on the wall. If I like it, the color design of the canvas edges follows. As soon as these have dried, the artwork is sealed with two layers of UV varnish to ensure stability and protection again.
The photo phase is actually self-explanatory. Each artwork is photographed once on a white wall from the front, from the side and in detail. Then it is photographed again from the front and from the side in a setting with furniture and decoration.
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The administrative phase includes many different aspects. First, the photos taken are developed with Photoshop and entered on the website and in the art catalogue. Then they are prescheduled as Instagram and Facebook posts. This also involves a lot of creative writing.
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Other aspects of the administrative phase include blog posts, newsletter content, website updates, accounting and marketing.
What do I do to continuously improve the quality of my work?
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They say "practice makes perfect." and I can really attest to that. After 3 years of painting, every spatula line is just right. You get a feeling for the materials and your own style and you always improve a little more in a very natural way.
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You gain experience in image structure, in color composition (yes, even the “white” images have a color composition. In fact, it is even more difficult to create an image structure with white color gradients.), you know how to mix the structure paste to create this or that effect and much more.
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It's a natural process. Like a plant that grows a little bit more every day, you also grow a little bit more every day with your tasks.
What thoughts go through my head when the artwork is finished?
When I hang the finished work of art on the wall with the setting, I'm usually pleasantly surprised by the effect. Sometimes it seems to me that I am not creating these works at all. It's always a little surprise how the finished work of art looks. The colors look different during painting than when they are completely dry. The matt UV varnish also changes the shimmer very slightly and gives a high-quality touch again.
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Sometimes I question the composition of the artwork or the color composition because these are the aspects that I influence with my mind. But the longer I let the painting sink in, the more I like them. My self-doubt and critical views cannot resist the energies.
How does it feel when my artwork finds a new home?
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This is one of my absolute favorite moments. It fills me with so much joy and gratitude when one of my paintings finds a new home. Of course, it's best if I can do the hanging and see the room myself. The moment when the picture falls into place as if it was always meant to be is so fulfilling.
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I am always particularly happy about the positive feedback and the stories that my customers tell me. There are often intense experiences.
I'm just happy when I can bring real joy to these great people and offer them an enrichment for their lives.
Are you interested in my art? Subscribe to my newsletter! There you will get information about my intention, to whom I dedicate my art, how I work and much more.
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As a thank you, you will receive access to my digital art catalogue. This contains all the important information about the artworks, such as prices, dimensions, detail shots and room examples.
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Thank you for being here!